The Murdered Princes in the Tower 1483

One of the biggest unsolved "who dun its" in English history

The Lady of Shalott: The Mirror Cracked

31st October 2025 by | Uncategorized

The mists of dawn coil around the riverbanks, where willows dip their branches into silver water. Within her tower, the Lady of Shalott sits before her loom, the rhythmic clatter of the shuttle her only company. By some ancient enchantment she is bound: she may see the world only through the reflection of a mirror, weaving its shifting images into her endless tapestry.

Knights pass on the road below; lovers whisper beneath the boughs; the bells of Camelot ring faintly across the fields — all of it glimpsed in the cold glass of illusion.

Yet art, like longing, is a restless thing. One morning, the Lady sees a rider clad in polished armour, sunlight glancing from his brow — Sir Lancelot. Desire flares, and she can bear her isolation no longer. She turns from the mirror to gaze upon the real world — and the curse descends. The mirror shatters; the threads of her weaving fall apart like mist.

She leaves her tower, lies down in a small boat, and drifts toward Camelot, singing softly as her life ebbs away.

Tennyson’s The Lady of Shalott is no mere love story. It is a meditation on art, imagination, and the peril of awakening from the safety of illusion. To look directly upon the world is to risk destruction — yet to remain forever behind the mirror is no life at all.

She is the eternal artist: confined, dreaming, creating — until, at last, she dares to live.

Written by Gemma Morris-Conway
The past is never silent
www.murderinthetower.london